{"id":24473,"date":"2022-05-24T10:31:23","date_gmt":"2022-05-24T10:31:23","guid":{"rendered":"https:\/\/test.somethinghaute.com\/saim-sadiqs-joyland-receives-rave-reviews-from-international-film-critics\/"},"modified":"2022-05-24T10:31:23","modified_gmt":"2022-05-24T10:31:23","slug":"saim-sadiqs-joyland-receives-rave-reviews-from-international-film-critics","status":"publish","type":"post","link":"https:\/\/test.somethinghaute.com\/?p=24473","title":{"rendered":"Saim Sadiq&#8217;s Joyland receives rave reviews from international film critics"},"content":{"rendered":"<p>Filmmaker Saim Sadiq has created a memorable moment in history as his feature film <em>Joyland<\/em> became the first Pakistani film to make the official selection at the prestigious Cannes Film Festival. The filmmaker recently attended the fest with his team and Pakistanis are gushing praises about the extraordinary feat.<\/p>\n<p>We are still eagerly waiting for the film to screen locally with hopes and prayers that it doesn&#8217;t get stuck in the rut of censorships and bans. However, <em>Joyland<\/em> has already won over hearts and souls at an international stage. The feature received a 10-minute-long standing ovation after its premiere on Monday at the Cannes Film Festival. The film has blown away the global audience and has been receiving overwhelmingly positive reviews since yesterday.<\/p>\n<p>Videos from the evening are circulating on social media where Sadiq along with the cast of the movie proudly received a prolonged standing ovation from the audience after the feature ended. One of the clips also showed that the young filmmaker and his team members got teary-eyed while receiving felicitations.<\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"en\">Standing ovation for \u201cJoyland\u201d, directed by Saim Sadiq! <a href=\"https:\/\/twitter.com\/hashtag\/Joyland?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Joyland<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/Cannes2022?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Cannes2022<\/a> <a href=\"https:\/\/t.co\/bG3rQRdmxl\">pic.twitter.com\/bG3rQRdmxl<\/a><\/p>\n<p>\u2014 Rose Harlean (@RoseHarlean) <a href=\"https:\/\/twitter.com\/RoseHarlean\/status\/1528763035426471937?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">May 23, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p dir=\"ltr\">Following the screening, one of the producers of the film, Sarmad Khoosat took to Instagram to praise the filmmaker and wrote: &#8220;I could be biased (sure, accuse me) but with whatever authority I have, I hereby declare that there\u2019s NO better filmmaker and storyteller than my <em>puttar <\/em>Saim Sadiq.&#8221;<\/p>\n<p dir=\"ltr\">&#8220;I bawled and cried my heart out with joy and all the pride at the world premiere. Thankfully there are no photos of me right after the screening,&#8221; he added.<\/p>\n<div data-oembed-url=\"https:\/\/www.instagram.com\/p\/Cd6i5mvIwLa\/\">\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/Cd6i5mvIwLa\/?utm_source=ig_embed&#038;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/Cd6i5mvIwLa\/?utm_source=ig_embed&#038;utm_campaign=loading\" target=\"_blank\" rel=\"noopener\">A post shared by Sarmad Ali Sultan (@sarmadkhoosat)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<\/div>\n<p>Soon after the videos of the premiere went viral on Twitter, reviews started pouring in filled with heavy praises. The film has received rave reviews from renowned film critics from all over the world.<\/p>\n<p><strong>Anupama Chopra<\/strong><\/p>\n<p>Indian film critic Anupama Chopra, founder and editor of <em>Film Companion<\/em>, tweeted: &#8220;<em><span class=\"r-18u37iz\">Joyland<\/span><\/em><span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\">, the first Pakistani feature film at <\/span><span class=\"r-18u37iz\">Festival de Cannes<\/span><span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\">, is a dazzling, defiant heartbreaker about desire.&#8221; She also interviewed Saim Sadiq.<\/span><\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"en\"><a href=\"https:\/\/twitter.com\/hashtag\/Joyland?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Joyland<\/a>, the first Pakistani feature film at <a href=\"https:\/\/twitter.com\/Festival_Cannes?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">@Festival_Cannes<\/a>, is a dazzling, defiant heartbreaker about desire. My chat with writer-director Saim Sadiq. <a href=\"https:\/\/t.co\/3QQHAfhMYB\">https:\/\/t.co\/3QQHAfhMYB<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/Cannes2022?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Cannes2022<\/a><\/p>\n<p>\u2014 Anupama Chopra (@anupamachopra) <a href=\"https:\/\/twitter.com\/anupamachopra\/status\/1528944261282111489?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">May 24, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&#8220;<em>Joyland<\/em> is a keener, deeper and contrary to the name, more tragic exploration of femininity, masculinity, freedom and repression,&#8221; she wrote in her review. You can read the review in detail <a href=\"https:\/\/www.filmcompanion.in\/film-festivals\/fc-at-cannes\/cannes-2022-joyland-review-is-a-poignant-portrait-of-a-splintered-family\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>Namrata Joshi<\/strong><\/p>\n<p>Indian film critic Namrata Joshi also tweeted praises for the film and said that it reminder her of Vicky Kaushal-starrer <em>Masaan<\/em>, which premiered at the festival in 2015.<\/p>\n<p>&#8220;<span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\">Standing ovation for debuts can be so damn overwhelming &#8230; <em>J<\/em><\/span><em><span class=\"r-18u37iz\">oyland<\/span><\/em><span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\"> is a tender heartbreaker of a film. Reminding me of our own <\/span><em><span class=\"r-18u37iz\">Masaan<\/span><\/em><span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\"> back in 2015.&#8221;<\/span><\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"en\">Standing ovation for debuts can be so damn overwhelming &#8230; <a href=\"https:\/\/twitter.com\/hashtag\/joyland?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#joyland<\/a> is a tender heartbreaker of a film &#8230; Reminding me of our own <a href=\"https:\/\/twitter.com\/hashtag\/Masaan?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Masaan<\/a> back in 2015 &#8230; <a href=\"https:\/\/t.co\/LT1ILJzspo\">pic.twitter.com\/LT1ILJzspo<\/a><\/p>\n<p>\u2014 Namrata Joshi (@Namrata_Joshi) <a href=\"https:\/\/twitter.com\/Namrata_Joshi\/status\/1528772889092186121?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">May 23, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"en\">Our neighbour makes its debut \u2066<a href=\"https:\/\/twitter.com\/Festival_Cannes?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">@Festival_Cannes<\/a>\u2069&#8230; Saim Sadiq\u2019s <a href=\"https:\/\/twitter.com\/hashtag\/joyland?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#joyland<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/UnCertainRegard?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#UnCertainRegard<\/a> <a href=\"https:\/\/t.co\/e9UadU85NY\">pic.twitter.com\/e9UadU85NY<\/a><\/p>\n<p>\u2014 Namrata Joshi (@Namrata_Joshi) <a href=\"https:\/\/twitter.com\/Namrata_Joshi\/status\/1528709237622587392?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">May 23, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><strong>Tom Page<\/strong><\/p>\n<p>Writer at CNN, Tom Page tweeted: &#8220;<span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\">JOYLAND &#8212; The first Pakistani film in the <\/span><span class=\"r-18u37iz\">Cannes<\/span><span class=\"css-901oao css-16my406 r-poiln3 r-bcqeeo r-qvutc0\"> Official Selection is going to make waves. A film about loneliness, desire and self-denial, Sadiq&#8217;s handsome, graceful critique of patriarchy forgoes anger, opting for a gentler register, without sacrificing any of its power.&#8221;<\/span><\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"en\">JOYLAND &#8212; The first Pakistani film in the <a href=\"https:\/\/twitter.com\/hashtag\/Cannes?src=hash&#038;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Cannes<\/a> Official Selection is going to make waves. A film about loneliness, desire and self-denial, Sadiq&#8217;s handsome, graceful critique of patriarchy forgoes anger, opting for a gentler register, without sacrificing any of its power.<\/p>\n<p>\u2014 Tom Page (@thomas_page) <a href=\"https:\/\/twitter.com\/thomas_page\/status\/1528749876921651212?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">May 23, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>Read: <a href=\"https:\/\/test.somethinghaute.com\/pakistani-cannes-selection-joyland-picked-up-by-european-distribution-firm\/\">Pakistani Cannes selection Joyland picked up by European distribution firm<\/a><\/p>\n<p><strong>IndieWire<\/strong><\/p>\n<p>Siddhant Adlakha stated in his review for <em><a href=\"https:\/\/www.indiewire.com\/2022\/05\/joyland-review-cannes-1234727238\/\" target=\"_blank\" rel=\"noopener\">IndieWire<\/a>: &#8220;<\/em><\/p>\n<p>The first Pakistani film to premiere at Cannes, Saim Sadiq\u2019s Un Certain Regard selection <em>Joyland <\/em>rides a fine line between sweet and foreboding right from its opening shot, in which an unseen adult man waltzes mischievously with his nieces while shrouded in a bedsheet. His life, and his liveliness, are carefully concealed; he exists as if between the worlds of the living and the dead.&#8221;<\/p>\n<p><strong>Deadline<\/strong><\/p>\n<p>Anna Smith wrote a review for <em><a href=\"https:\/\/deadline.com\/2022\/05\/joyland-film-review-pakistan-cannes-1235030280\/\" target=\"_blank\" rel=\"noopener\">Deadline<\/a>.<\/em><\/p>\n<p><em>&#8220;Joyland<\/em> has a vivid sense of place, created not so much by its geographical backdrop as its characters. There\u2019s an attention to detail in the rituals of daily life, whether it\u2019s family celebrations or the rehearsals of the dance group. Mostly restrained emotionally, this packs an unexpected gut punch towards the end of the film, where it shifts focus to a deserving subject and drops another key character.&#8221;<\/p>\n<p><strong>The Hollywood Reporter<\/strong><\/p>\n<p>Lovia Gyarkye wrote a review for <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/joyland-review-cannes-2022-1235144828\/\" target=\"_blank\" rel=\"noopener\"><em>The Hollywood Reporter<\/em>.<\/a><\/p>\n<p><em>Joyland<\/em> is a family saga, one that Sadiq uses to observe how gender norms constrict, and then asphyxiate, individuals. The Ranas feel trapped \u2014 by respectability, by family, by vague notions of honor. Bound by their duty to roles they quietly question, the members of this clan slowly suffer under the weight of obligation and expectations. What happens to them \u2014 individually and collectively \u2014 is a process that Sadiq\u2019s film chronicles with aching consideration.<\/p>\n<p><strong>Screen Daily<\/strong><\/p>\n<p>Allan Hunter&#8217;s review for <a href=\"https:\/\/www.screendaily.com\/reviews\/joyland-cannes-review\/5170239.article\" target=\"_blank\" rel=\"noopener\"><em>Screen Daily<\/em><\/a> stated:<\/p>\n<p>&#8220;Transgression becomes a means of liberation in <em>Joyland, <\/em>writer-director Saim Sadiq\u2019s assured first feature which explores the tensions within a Pakistani family enslaved by old-fashioned notions of gender and duty. Sadiq\u2019s screenplay navigates a complex web of secrets and lies, pressures and prejudices to create a soulful human drama intent on challenging narrow minds. Said to be the first Pakistani film to play at Cannes,<em> Joyland<\/em> should make an emotional connection with audiences on the Croisette and far beyond.&#8221;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"lazyload_inited aligncenter size-full wp-image-82102\" src=\"https:\/\/test.somethinghaute.com\/images\/2022\/05\/FTgjmspXEAA8yET.jpg\" alt=\"Joyland poster\" width=\"713\" height=\"701\" \/><\/p>\n<p>With a duration of 2 hours 7 minutes, <em>Joyland<\/em> is a feature film in Urdu. Starring Ali Junejo, Alina Khan, Rasti Farooq, Sarwat Gilani, Sohail Sameer, Salman Peerzada and Sania Saeed, the film is directed by Saim Sadiq, who is also the screen-writer. Apoorva Charan, Sarmad Khoosat and Lauren Mann are the producers of the film. Abdullah Siddiqui has composed the music.<\/p>\n<p>The showbiz fraternity also took to social media to laud the team to bring such an honour to the country. They also expressed that they cannot wait to watch the film. It is pertinent to mention that Sadiq\u2019s <em>Joyland <\/em>celebrates the \u2018transgender culture\u2019 of the country, which is a taboo subject and is hardly touched upon in our TV or film content.<\/p>\n<p><em>Joyland<\/em> is the \u201ctale of the sexual revolution that sees a patriarchal family yearn for the birth of a baby boy to continue the family line, while their youngest son secretly joins an erotic dance theater and falls for an ambitious transsexual starlet.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The feature film received a standing ovation at the film festival<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,39,214],"tags":[1163],"class_list":["post-24473","post","type-post","status-publish","format-standard","hentry","category-celebrity","category-entertainment","category-featured","tag-cannesjoylandsaim-sadiq"],"_links":{"self":[{"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=\/wp\/v2\/posts\/24473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24473"}],"version-history":[{"count":0,"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=\/wp\/v2\/posts\/24473\/revisions"}],"wp:attachment":[{"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.somethinghaute.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}