The confluence of fashion and art is one that can be considered the most organic and it\u2019s almost like an offshoot of each other \u2013 where one cannot survive without the other. This is why, any major couturier around the world emphasizes on the importance of visuals, music, drama, and theatrics on a grand scale. In Pakistan too, there\u2019s one designer who has continued to be the bastion of this concept \u2013 and that\u2019s Fahad Hussayn.<\/p>\n
Marking more than a decade in the industry, it has been Fahad\u2019s constant creative approach and focus on song production and musical elements within his collections that has set him apart from all the others in the industry and have continued to make him a force to be reckoned with. Be it the myriad of antics we have seen on the runway over the years \u2013 that have included everything from an ode to vogueing<\/em> to creating a live dance and movement show \u2013 or his homage to the traditional trousseau with his musical fashion film, there\u2019s something that has always set him apart.<\/p>\n Amidst this plethora of fashion films that have kept the esteemed clientele satiated, Something Haute <\/em><\/strong>explores the ones that we have seen as the biggest head turners\u2026<\/p>\n One of the few designers who doesn\u2019t shy away from letting his creative juices flow in more than just the happy-go-lucky tropes we usually see, Fahad Hussayn ingeniously tied up the bridal trousseau and the many faces who work behind the scenes with the dichotomy of strikes, chaos, war threats, volatile economy and everyday struggle, in which in spite of all troubles, the bridal industry works day and night.<\/p>\nSHAH JEEVAY – Celebrating A Decade of Decadence <\/strong><\/h4>\n